In the past, every drink and every occasion had its own unique glass. Some people even had a personal glass they would bring to parties and gatherings. Today, almost all glasses are industrially manufactured. A prime example is the Picardie glass by the French glassmaker Duralex. It is a timeless design—a mass-produced product available in various sizes, made of tempered glass, heat-resistant, and easy to stack. An iconic glass found in cupboards across all social classes, known for its versatility in serving a range of beverages. 
The design draws inspiration from 18th-century crystal glasses, known for their sparkling appearance due to their many facets. The Picardie glass, with its pressed facets, plays with this sense of luxury while being highly affordable thanks to machine-based mass production. The glass sits comfortably in the hand, almost becoming one with the fingers. It rests effortlessly on the thumb and index finger under the smooth surface of the rim, while the other fingers rest on the facets. The facets make the glass feel thinner than it is. The rim flares out into a bowl shape, making it easy to drink from, while the facets enhance the play of light.
In BLING, WhiteNoiseDada showcases their experiments with the Picardie glass, exploring ways to restore its unique character. While mass production makes the glass widely available, it also diminishes its individuality. In their studio, WhiteNoiseDada experimented with glasses, many of which were salvaged from waste bins. The material, limited in how it could be shaped by thermal shock, often defied their initial intentions. In addition to their in-studio experiments, they collaborated with the Glass Studio in Leerdam.